2000
1996
1995
2017
2016
2014
2014
2012
2010
2009
2009
2006
2005
2002
1999 - 2000
1996
1995
1992
2013 – present
Curate, organize and promote all daytime programs for the festival.
2015-2017
Featured nationally for the 25th anniversary of the Veterans History Project, a special collection created collaboratively with students and community members and exhibition to be held at the Smithsonian’s National Gallery Theater and the Monterey Museum of Art.
2016
Create paintings for interpretive display on Monarch habitats.
2016
Create a series of artworks, participatory experiences and programs to enhance contemporary exhibitions for diverse audiences.
2015
Organized public programs for migrant and rural audiences for the international touring film festival. Funded by the Annenberg Foundation.
2017
2017
2016
2015
2014
2014
2014
2012
2011
2011
2010
2010
2009
2008
2008
2008
2007
2007
2007
2004
2004
2004
2003
2003
2002
2001
2001
2000
1998
1998
2014
2013
2013
2012
2011
2011
2011
2011
2011
2011
Artblock Live: Reggie Woolery interviews artist, filmmaker, musician and professor Enid Baxter Blader.” Podcast, KCET, Los Angeles. 1/1/09
Brightwell, Eric. “Celluloid Heroines: Fearless Filmmaking Females.” Amoeba Blog. 4/20/10.
Clark, Robert,”Time to Untangle Theoretical Threads,” ArtReview, June 2002. (illus.)
Duray, Dan. “The Manhattan Bridge is Going to Look Odd this Weekend.” New York Observer. 9/27/12.
Frank, Peter. “Pick of the Week,” LA Weekly, April 11, p.38, 2003.
Adams, Sam,”Screenpicks” Philadelphia City Paper, August 9 – 16, 2001.
A la Mode, Brownie, “Women in the Director’s Chair,” DykeDiva, March, 2004
Allen, David, The Inland Times, “Smogdance Does it Again,” October 15, 2000.
Antebi, Nicole. “Magical Thinking and the Los Angeles Aquaduct,” Arid: A Journal of Desert Art, Design and Ecology. August 9, 2013.
Artblock Live: Reggie Woolery interviews artist, filmmaker, musician and professor Enid Baxter Blader.” Podcast, KCET, Los Angeles.
http://kcet.org/local/podcasts/artsblock_live 1/1/09
Bridges, Joseph. “A Film is a Burning Place.” Real Sound Theory. 4/30/09.
Brightwell, Eric. “Celluloid Heroines: Fearless Filmmaking Females.” Amoeba Blog. 4/20/10.
Burton, Antionett and Alexandra Juhasz. “Feminist history making and Video Remains.” Jump Cut, Winter, 2006. http://www.jumpcut.org
Butin, Simon. “Water CA, The Future of Place-Based MultiMedia?” Terrain.org, 8/17/2010.
Cabrera, Marcos. “Teen Film Festival Exceed Expectations.” The Monterey Herald. 3/24/2009.
Cabrera, Marcos, “The Reel Lives of Teens: CSUMB helps kids tell their stories through film.” The Monterey Herald, 12/9/2008.
Cabrera, Marcos. “CSUMB launches Teen Film Festival.” The Monterey Herald 11/11/2008
Clark, Robert,”Time to Untangle Theoretical Threads,” ArtReview, June 2002. (illus.)
Cooper, Jacqueline, Enid Baxter Blader. Los Angeles: Roberts and Tilton Gallery, 2001 (illus.)
Cooper, Jacqueline,”In Search of the New Bohemians: The Flight and Possible Return of Passion to the Contemporary Art World,” Side Street Projects Journal, Summer, (illus.)
Cowan, Amber, “Art: The Five Best Shows Around the Country,” The Information, supplement to The Independent. May 18, 2002, p. 13
The J. Paul Getty Museum, Los Angeles, CA
The Journal of Aesthetics and Protest, Los Angeles, CA
Echo Park Film Center, Los Angeles, California
The Cooper Union for the Advancement of Science and Art, New York, New York
Orange County Museum of Art, Irvine, California